語系:
繁體中文
English
說明(常見問題)
圖資館首頁
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Animating with Blenderhow to create ...
~
Hess, D. Roland.
Animating with Blenderhow to create short animations from start to finish /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Animating with BlenderD. Roland Hess.
其他題名:
how to create short animations from start to finish /
作者:
Hess, D. Roland.
出版者:
Amsterdam ;Elsevier/Focal Press,c2009.
面頁冊數:
xii, 352 p. :col. ill. ;24 cm. +1 DVD-ROM (4 3/4 in.)
附註:
Includes index.
標題:
Computer graphics.
電子資源:
An electronic book accessible through the World Wide Web; click for information
電子資源:
http://www.loc.gov/catdir/toc/ecip0821/2008026274.html
ISBN:
9780240810799
Animating with Blenderhow to create short animations from start to finish /
Hess, D. Roland.
Animating with Blender
how to create short animations from start to finish /[electronic resource] :D. Roland Hess. - Amsterdam ;Elsevier/Focal Press,c2009. - xii, 352 p. :col. ill. ;24 cm. +1 DVD-ROM (4 3/4 in.)
Includes index.
Creating Short Animations with Blender -- At A Glance -- Chapter 1: An Overview of the Short Animation Process -- This chapter gives a brief overview of the entire process of creating a short animation. It also provides advice and rationales about why it is important to actually follow the steps, as well as common pitfalls and how to avoid them. -- Chapter 2: Story -- Deciding on a story that fits the scope of your resources. Objective vs. subjective story lines, and why you need to know the difference. Deciding on a theme, and adding theme-supporting details and elements to the story. Also, screenplay format is introduced and advice is given on where it's appropriate (or unnecessary) to use. -- Chapter 3: Storyboarding and the Story Reel -- Emphasizes the absolute necessity of storyboarding, even if you can barely draw, and suggests some tools and techniques to make the job easier. Examples of how good storyboarding can lead to shorter production and render times later. Analyzing your storyboards for later optimization of shots, angles, and necessary sets and props. Also, it is shown how Blender can be used to assemble an initial Story Reel with a temporary sound track. -- Chapter 4: Character Design and Creation -- Although rough character designs have already been done in the storyboards, at some point you must decide how your characters will actually look. The chapter emphasizes matching character design with the theme of the story and ways to think about encoding the character's place in the theme into their appearance. Modeling to the needs of the character's storyboarded appearances and actions is shown, as well as optimizing meshes and materials for animation rendering. -- Chapter 5: Libraries -- Blender's library and linking system explained. Creating libraries for proper reuse and unification of digital assets. How libraries will benefit your production. -- Chapter 6: Rough Sets, Blocking, Good Sound and an Animatic -- Building the basic shapes for your sets, then blocking the shots from the story board with the low resolution set and static characters. Updating the story reel with a hard dialogue track and OpenGL stills and camera move animations. -- Chapter 7: Rigging and Animation Testing -- Rigging and skinning modeled characters with respect to their animation needs within the project. Testing the rig with sample animations. Creating facial morph targets for expression and lip sync. -- Chapter 8: Character Animation: Blocking and Finishing -- Per-shot files are created, and characters and rough sets are linked in from their libraries. Pose to Pose animation is shown. The story reel is updated with a pose-to-pose breakdown and gross timing is tested and adjusted. Blender's tools for refining animation, creating offsets, follow-through, anticipation, etc. are demonstrated. -- Chapter 9: Lip Sync -- Using the previously created shape keys to add facial expression and lip sync. Adding and scrubbing sound files. -- Chapter 10: Special Effects: Physics, Fluids and Particles -- Physics and particle tools are shown, with suggestions on when and where it is best to use them or to just fake their effects. Also, it is shown how to integrate this sort of procedurally generated animation into the main keyframed animation. Attention is given to render times and careful planning from the animatic. -- Chapter 11: Final Sets and Backgrounds -- Using the story reel as a guide, decisions are made as to static backgrounds vs. backgrounds created from live geometry. Sets are built to match the roughs with full resolution objects, sectioned per shot requirements, and saved as libraries for efficient linking and re-use. Static backgrounds are rendered and tweaked, with Normal and Z data for better compositing. -- Chapter 12: Rendering and Post-Processing -- The render layers system and compositor is shown, bringing together the final animation elements, final sets, backgrounds and special effects created previously. Common post-processing techniques like Blender's vector-based motion blur, depth of field and bloom/glow are shown. -- Chapter 13: Editing and Final Output -- Using Blender's Sequence Editor to edit the rendered, composited animation into the final product. Generating a variety of output formats (.avi, MPEG, Quicktime) and which are best for what. --.
Blender has become one of the most popular 3D and animation tools on the market, with over 2 million users, and it is free! Animating with Blender is the definitive resource for creating short animation projects from scratch, the ideal platform for experimenting with animation. Blender expert and author Roland Hess walks you through the entire process of creating a short animation, from writing to storyboarding and blocking, through character creation, animation and rendering. * Learn the ropes from Roland Hess, one of Blender's developers and a community guru for this FREE animation program, which was used in the previz for Spiderman 2 * Create a single short animation project from start to finish, take an in-depth look into how all of the Blender tools work together * Study, pick apart and reuse all of the files from the animation referenced throughout the book, with the Blender software and sample animation files included on the companion DVD.
Electronic reproduction.
Amsterdam :
Elsevier Science & Technology,
2010.
Mode of access: World Wide Web.
ISBN: 9780240810799
Source: 154446:154608Elsevier Science & Technologyhttp://www.sciencedirect.comSubjects--Uniform Titles:
Blender (Computer file)
Subjects--Topical Terms:
182120
Computer graphics.
Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: TR897.7 / .H485 2009
Dewey Class. No.: 006.6/96
Animating with Blenderhow to create short animations from start to finish /
LDR
:06786cmm 2200325Ia 4500
001
256615
003
OCoLC
005
20100729101520.0
006
m d
007
cr cn|||||||||
008
100818s2009 ne a o 001 0 eng d
020
$a
9780240810799
020
$a
0240810791
035
$a
(OCoLC)499049891
035
$a
ocn499049891
037
$a
154446:154608
$b
Elsevier Science & Technology
$n
http://www.sciencedirect.com
040
$a
OPELS
$b
eng
$c
OPELS
049
$a
TEFA
050
1 4
$a
TR897.7
$b
.H485 2009
082
0 4
$a
006.6/96
$2
22
100
1
$a
Hess, D. Roland.
$3
454015
245
1 0
$a
Animating with Blender
$h
[electronic resource] :
$b
how to create short animations from start to finish /
$c
D. Roland Hess.
260
$a
Amsterdam ;
$a
Boston :
$b
Elsevier/Focal Press,
$c
c2009.
300
$a
xii, 352 p. :
$b
col. ill. ;
$c
24 cm. +
$e
1 DVD-ROM (4 3/4 in.)
500
$a
Includes index.
505
0
$a
Creating Short Animations with Blender -- At A Glance -- Chapter 1: An Overview of the Short Animation Process -- This chapter gives a brief overview of the entire process of creating a short animation. It also provides advice and rationales about why it is important to actually follow the steps, as well as common pitfalls and how to avoid them. -- Chapter 2: Story -- Deciding on a story that fits the scope of your resources. Objective vs. subjective story lines, and why you need to know the difference. Deciding on a theme, and adding theme-supporting details and elements to the story. Also, screenplay format is introduced and advice is given on where it's appropriate (or unnecessary) to use. -- Chapter 3: Storyboarding and the Story Reel -- Emphasizes the absolute necessity of storyboarding, even if you can barely draw, and suggests some tools and techniques to make the job easier. Examples of how good storyboarding can lead to shorter production and render times later. Analyzing your storyboards for later optimization of shots, angles, and necessary sets and props. Also, it is shown how Blender can be used to assemble an initial Story Reel with a temporary sound track. -- Chapter 4: Character Design and Creation -- Although rough character designs have already been done in the storyboards, at some point you must decide how your characters will actually look. The chapter emphasizes matching character design with the theme of the story and ways to think about encoding the character's place in the theme into their appearance. Modeling to the needs of the character's storyboarded appearances and actions is shown, as well as optimizing meshes and materials for animation rendering. -- Chapter 5: Libraries -- Blender's library and linking system explained. Creating libraries for proper reuse and unification of digital assets. How libraries will benefit your production. -- Chapter 6: Rough Sets, Blocking, Good Sound and an Animatic -- Building the basic shapes for your sets, then blocking the shots from the story board with the low resolution set and static characters. Updating the story reel with a hard dialogue track and OpenGL stills and camera move animations. -- Chapter 7: Rigging and Animation Testing -- Rigging and skinning modeled characters with respect to their animation needs within the project. Testing the rig with sample animations. Creating facial morph targets for expression and lip sync. -- Chapter 8: Character Animation: Blocking and Finishing -- Per-shot files are created, and characters and rough sets are linked in from their libraries. Pose to Pose animation is shown. The story reel is updated with a pose-to-pose breakdown and gross timing is tested and adjusted. Blender's tools for refining animation, creating offsets, follow-through, anticipation, etc. are demonstrated. -- Chapter 9: Lip Sync -- Using the previously created shape keys to add facial expression and lip sync. Adding and scrubbing sound files. -- Chapter 10: Special Effects: Physics, Fluids and Particles -- Physics and particle tools are shown, with suggestions on when and where it is best to use them or to just fake their effects. Also, it is shown how to integrate this sort of procedurally generated animation into the main keyframed animation. Attention is given to render times and careful planning from the animatic. -- Chapter 11: Final Sets and Backgrounds -- Using the story reel as a guide, decisions are made as to static backgrounds vs. backgrounds created from live geometry. Sets are built to match the roughs with full resolution objects, sectioned per shot requirements, and saved as libraries for efficient linking and re-use. Static backgrounds are rendered and tweaked, with Normal and Z data for better compositing. -- Chapter 12: Rendering and Post-Processing -- The render layers system and compositor is shown, bringing together the final animation elements, final sets, backgrounds and special effects created previously. Common post-processing techniques like Blender's vector-based motion blur, depth of field and bloom/glow are shown. -- Chapter 13: Editing and Final Output -- Using Blender's Sequence Editor to edit the rendered, composited animation into the final product. Generating a variety of output formats (.avi, MPEG, Quicktime) and which are best for what. --.
520
$a
Blender has become one of the most popular 3D and animation tools on the market, with over 2 million users, and it is free! Animating with Blender is the definitive resource for creating short animation projects from scratch, the ideal platform for experimenting with animation. Blender expert and author Roland Hess walks you through the entire process of creating a short animation, from writing to storyboarding and blocking, through character creation, animation and rendering. * Learn the ropes from Roland Hess, one of Blender's developers and a community guru for this FREE animation program, which was used in the previz for Spiderman 2 * Create a single short animation project from start to finish, take an in-depth look into how all of the Blender tools work together * Study, pick apart and reuse all of the files from the animation referenced throughout the book, with the Blender software and sample animation files included on the companion DVD.
533
$a
Electronic reproduction.
$b
Amsterdam :
$c
Elsevier Science & Technology,
$d
2010.
$n
Mode of access: World Wide Web.
$n
System requirements: Web browser.
$n
Title from title screen (viewed on Jan. 14, 2010).
$n
Access may be restricted to users at subscribing institutions.
630
0 0
$a
Blender (Computer file)
$3
379456
650
0
$a
Computer graphics.
$3
182120
650
0
$a
Computer animation.
$3
231391
650
0
$a
Three-dimensional display systems.
$3
183303
655
7
$a
Electronic books.
$2
local.
$3
214472
710
2
$a
ScienceDirect (Online service)
$3
307425
776
1
$c
Original
$z
9780240810799
$z
0240810791
$w
(DLC) 2008026274
$w
(OCoLC)232002208
856
4 0
$3
ScienceDirect
$u
http://www.sciencedirect.com/science/book/9780240810799
$z
An electronic book accessible through the World Wide Web; click for information
856
4 1
$3
Table of contents only
$u
http://www.loc.gov/catdir/toc/ecip0821/2008026274.html
994
$a
C0
$b
TEF
筆 0 讀者評論
全部
電子館藏
館藏
1 筆 • 頁數 1 •
1
條碼號
館藏地
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
000000039708
電子館藏
1圖書
電子書
EB TR897.7 .H485 2009
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
多媒體檔案
http://www.sciencedirect.com/science/book/9780240810799
http://www.loc.gov/catdir/toc/ecip0821/2008026274.html
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼
登入