Cultural and Media Studies.
Overview
| Works: | 649 works in 649 publications in 649 languages | |
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Titles
Contemporary Japanese women's theatre and visual artsperforming girls' aesthetics /
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(Electronic resources)
Queer dramaturgiesinternational perspectives on where performance leads queer /
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(Electronic resources)
Digital identity and everyday activismsharing private stories with networked publics /
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(Electronic resources)
Media and political contestation in the contemporary Arab worlda decade of change /
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(Electronic resources)
Participatory politics and citizen journalism in a networked Africaa connected continent /
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(Electronic resources)
Applied cyberpsychologypractical applications of cyberpsychological theory and research /
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(Electronic resources)
Discursive processes of intergenerational transmission of recent history(re)making our past /
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The greatest comic book of all timesymbolic capital and the field of American comic books /
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Revisiting the Mexican student movement of 1968shifting perspectives in literature and culture since Tlatelolco /
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Public spheres and mediated social networks in the Western context and beyond
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Beyond immersive theatreaesthetics, politics and productive participation /
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The creative system in actionunderstanding cultural production and practice /
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Gender and sexuality in Latin American horror cinemaembodiments of evil /
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(Electronic resources)
Anti-war theatre after Brechtdialectical aesthetics in the twenty-first century /
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Gothic forensicscriminal investigative procedure in Victorian horror & mystery /
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Afro-Latin@s in movementcritical approaches to blackness and transnationalism in the Americas /
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Postcolonial perspectives on the European high northunscrambling the Arctic /
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Gender violence in failed and democratic statesbesieging perverse masculinities /
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African cultural heritage conservation and managementtheory and practice from Southern Africa /
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(Electronic resources)
Children and the politics of sexualitythe sexualization of children debate revisited /
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Sound, symbol, socialitythe aesthetic experience of extreme metal music /
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Media archaeologies, micro-archives and storytellingre-presencing the past /
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Miami's forgotten Cubansrace, racialization, and the Miami Afro-Cuban experience /
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Ethno identity dance for sex, fun and profitstaging popular dances around the world /
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Urban social listeningpotential and pitfalls for using microblogging data in studying cities /
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Objects in Italian life and culturefiction, migration, and artificiality /
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History as theatrical metaphorhistory, myth and national identities in modern Scottish drama /
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(Electronic resources)
Contemporary publicsshifting boundaries in new media, technology and culture /
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(Electronic resources)
The British school filmfrom Tom Brown to Harry Potter : representations of secondary education in British cinema /
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Ubuntu strategiesconstructing spaces of belonging in contemporary South African culture /
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(Electronic resources)
Gilbert and Sullivan's 'respectable capers'class, respectability and the Savoy Operas 1877-1909 /
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Performing China on the London stageChinese opera and global power, 1759--2008 /
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Micro-blogging memoriesWeibo and collective remembering in contemporary China /
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The Afro-Latin@ experience in contemporary American literature and cultureengaging blackness /
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Migrating modernist performanceBritish theatrical travels through Russia /
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Migration and performance in contemporary Irelandtowards a new interculturalism /
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The Britannia Panopticon Music Hall and cosmopolitan entertainment culture
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(Electronic resources)
The theatre of death - the uncanny in mimesisTadeusz Kantor, Aby Warburg, and an iconology of the actor /
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Children's healthcare and parental media engagement in urban Chinaa culture of anxiety? /
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(Electronic resources)
The posthuman body in superhero comicshuman, superhuman, transhuman, post/human /
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Industrial approaches to mediaa methodological gateway to industry studies /
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The Ministry of Education film experimentfrom post-war visual education to 21st century literacy /
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Visualizing the Palestinian struggletowards a critical analytic of Palestine solidarity film /
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Hybrid practices in moving image designmethods of heritage and digital production in motion graphics /
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Contemporary women's gothic fictioncarnival, hauntings and vampire kisses /
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(Electronic resources)
The British official film in South-East AsiaMalaya/Malaysia, Singapore and Hong Kong /
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The state of post-cinematracing the moving image in the age of digital dissemination /
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The Shawshank experiencetracking the history of the world's favorite movie /
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Paradoxical japanesenesscultural representation in twenty-first century japanese cinema /
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Gender, metal and the mediawomen fans and the gendered experience of music /
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Queering the Chilean waycultures of exceptionalism and sexual dissidence, 1965-2015 /
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(Electronic resources)
Intermedial praxis and practice as research'doing-thinking' in practice /
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Transgender and intersextheoretical, practical, and artistic perspectives /
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Methodological reflections on researching communication and social change
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Citizens, Europe and the mediahave new media made citizens more eurosceptical? /
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The reinvention of populist rhetoric in the digital ageinsiders & outsiders in democratic politics /
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International Theatre Olympicsthe artistic and intercultural power of olympism /
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The digital transformation of the public sphereconflict, migration, crisis and culture in digital networks /
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The Palgrave handbook of sound design and music in screen mediaintegrated soundtracks /
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The visual divide between Islam and the Westimage perception within cross-cultural contexts /
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Reading Radio 4a programme-by-programme analysis of Britain's most important radio station /
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Female olympiansa mediated socio-cultural and political-economic timeline /
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(Electronic resources)
Cuban film media, late socialism, and the public sphereimperfect aesthetics /
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(Electronic resources)
Transmedia crime storiesthe trial of Amanda Knox and Raffaele Sollecito in the globalised media sphere /
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Scripting the environmentoil, democracy and the sands of time and space /
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Terror in global narrativerepresentations of 9/11 in the age of late-late capitalism /
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Digital activism in the social media eracritical reflections on emerging trends in sub-Aaharan Africa /
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A justice-based approach for new media policyin the paths of righteousness /
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Transnational contexts of culture, gender, class, and colonialism in playvideo games in East Asia /
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Mainstreaming Islam in Indonesiatelevision, identity, and the middle class /
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W.C. Fields from the Ziegfeld Follies and Broadway stage to the screenbecoming a character comedian /
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Transnational contexts of development history, sociality, and society of playvideo games in East Asia /
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Feminist activism and digital networksbetween empowerment and vulnerability /
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The theatre of Romeo Castellucci and Societas Raffaello Sanziofrom icon to iconoclasm, from word to image, from symbol to allegory /
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Health communication in the changing media landscapeperspectives from developing countries /
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Reframing immersive theatrethe politics and pragmatics of participatory performance /
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Educational theatre for women in post-World War II Italya stage of their own /
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The changing place of Europe in global memory culturesusable pasts and futures /
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Bernard Shaw and Beatrice Webb on poverty and equality in the Modern World, 1905-1914
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Bernard Shaw, W. T. Stead, and the New JournalismWhitechapel, Parnell, Titanic, and the Great War /
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September 11, 2001 as a cultural traumaa case study through popular culture /
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Modernism, ethics and the political imaginationliving wrong life rightlyv/
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Popular music studies todayproceedings of the International Association for the Study of Popular Music 2017 /
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Staging queer feminismssexuality and gender in Australian performance, 2005-2015 /
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Intermedial theaterperformance philosophy, transversal poetics, and the future of affect /
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Traditional Chinese leisure culture and economic developmenta conflict of forces /
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Technoliberalism and the end of participatory culture in the United States
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Liberation technology in El Salvadorre-appropriating social media among alternative media projects /
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Korean modernization and uneven developmentalternative sociological accounts /
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Innovations in culture and developmentthe culturinno effect in public policy /
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Reading Lena Dunham's Girlsfeminism, postfeminism, authenticity and gendered performance in contemporary television /
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Breastfeeding and mediaexploring conflicting discourses that threaten public health /
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Bad girls and transgressive women in popular television, fiction, and film
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The cultural life of capitalism in Yugoslavia(post)socialism and Its other /
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British Broadcasting and the public-private dichotomyneoliberalism, citizenship and the public sphere /
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The uses of reason in the evaluation of artworkscommentaries on the Turner Prize /
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Sherlock Holmes from screen to stagepost-millennial adaptations in British theatre /
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Entertainment valueshow do we assess entertainment and why does it matter? /
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Historical theory and methods through popular music, 1970-2000"Those are the New Saints" /
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Death, image, memorythe genocide in Rwanda and its aftermath in photography and documentary film /
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Memory as colonial capitalcross-cultural encounters in French and English /
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RuPaul's Drag Race and the shifting visibility of drag culturethe boundaries of reality TV /
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The politics of postmemoryviolence and victimhood in contemporary Argentine culture /
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Affect and belonging in contemporary Spanish fiction and filmcrossroads visions /
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Mobile media technologies and poiesisrediscovering how we use technology to cultivate meaning in a nihilistic world /
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King returns to Washingtonexplorations of memory, rhetoric, and politics in the Martin Luther King, Jr. National Memorial /
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Regimes of invisibility in contemporary art, theory and cultureimage, racialization, history /
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Citizenship, democracies, and media engagement among emerging economies and marginalized communities
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Immersive theatre and audience experiencespace, game and story in the work of Punchdrunk /
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Formations of masculinity in post-communist Hungarian cinemalabyrinthian men /
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New activities for cultural heritageproceedings of the International Conference HeritageBot 2017 /
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Performance for resilienceengaging youth on energy and climate through music, movement, and theatre /
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Elizabethan and Jacobean reappropriation in contemporary British drama'Upstart crows' /
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Popular theatre and political utopia in France, 1870-1940active citizens /
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Moral panics, mental illness stigma, and the deinstitutionalization movement in American popular culture
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Digital technology and journalisman international comparative perspective /
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Social trauma and telecinematic memoryimagining the Turkish nation since the 1980 coup /
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How political actors use the mediaa functional analysis of the media's role in politics /
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Media and affective mythologiesdiscourse, archetypes and ideology in contemporary politics /
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Time, technology and narrative form in contemporary US television dramapause, rewind, record /
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Cultural, autobiographical and absent memories of orphanhoodthe girls of Nazareth House remember /
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Evolving Euroscepticisms in the British and Italian pressselling the public short /
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Constructing transgressive sexuality in screenwritingthe feiticeiro/a as character /
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Contemporary British artists of African descent and the unburdening of a generation
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Journalism and social mediapractitioners, organisations and institutions /
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Mediatized China-Africa relationshow media discourses negotiate the shifting of global order /
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Proceedings of the 6th International Conference of Arte-Polisimagining experience: creative tourism and the making of place /
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Okinawa under occupationMcDonaldization and resistance to neoliberal propaganda /
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Adaptation and nationtheatrical contexts for contemporary English and Irish drama /
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Homosexuality and Italian cinemafrom the fall of Fascism to the years of lead /
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Fans, blockbusterisation, and the transformation of cinematic desireglobal receptions of the 'Hobbit' film trilogy /
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Subversive adaptationsCzech literature on screen behind the Iron Curtain /
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International performance research pedagogiestowards an unconditional discipline? /
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DVD, Blu-ray and beyondnavigating formats and platforms within media consumption /
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Hospitality, rape and consent in vampire popular cultureletting the wrong one in /
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Transnational European television dramaproduction, genres and audiences /
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Dynamics of mediatizationinstitutional change and everyday transformations in a digital age /
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Risk, participation, and performance practicecritical vulnerabilities in a precarious world /
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Ageing women in literature and visual culturereflections, refractions, reimaginings /
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Talking bodiesinterdisciplinary perspectives on embodiment, gender and identity /
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Poison and poisoning in science, fiction and cinemaprecarious identities /
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Genre trouble and extreme cinemafilm theory at the fringes of contemporary art cinema /
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Domestic imaginariesnavigating the home in global literary and visual cultures /
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Alan Moore, out from the undergroundcartooning, performance, and dissent /
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The social life of memoryviolence, trauma, and testimony in Lebanon and Morocco /
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Gender in Spanish urban spacesliterary and visual narratives of the new millennium /
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Narrating the global financial crisisurban imaginaries and the politics of myth /
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Latin American heritageInterdisciplinary Dialogues on Brazilian and Argentinian Case Studies /
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Private print media, the state and politics in colonial and post-colonial Zimbabwe
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Barack Obama is Brazilian(re)signifying race relations in contemporary Brazil /
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Neo-Victorianism on screenpostfeminism and contemporary adaptations of Victorian women /
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Networks, movements and technopolitics in Latin Americacritical analysis and current challenges /
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Communicative figurationstransforming communications in times of deep mediatization /
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Media logic(s) revisitedmodelling the interplay between media institutions, media technology and societal change /
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Mixed-race politics and neoliberal multiculturalism in South Korean media
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Traitors, collaborators and deserters in contemporary European politics of memoryformulas of betrayal /
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Thomas Hamblin and the Bowery Theatrethe New York reign of "Blood and Thunder" melodramas /
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Choreographing the airportfield notes from the transit spaces of global mobility /
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Local movie supply in the german motion picture industryan industrial organization perspective /
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Post-unification Turkish German cinemawork, globalisation and politics beyond representation /
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Subverting mainstream narratives in the Reagan eragiving power to the people /
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Media reforms and democratization in emerging democracies of Sub-Saharan Africa
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Theatricality and performativitywritings on texture from Plato's cave to urban activism /
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The future of audiencesa foresight analysis of interfaces and engagement /
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Exploring the selfiehistorical, theoretical and analytical approaches to digital self-photography /
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Introduction to western culturecultural history, religion, politics, folklore and tourism /
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Bernard Shaw's fiction, material psychology, and affectShaw, Freud, Simmel /
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Independent television production in the UKfrom cottage industry to big business /
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Boys, bass and botherpopular dance and identity in UK drum 'n' bass club culture /
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Girls who like boys who like boyswomen and gay male pornography and erotica /
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Free speech and false speechpolitical deception and its legal limits (or lack thereof) /
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Viral dramaturgiesHIV and AIDS in performance in the twenty-first century /
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Understanding western culturephilosophy, religion, literature and organizational culture /
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The spectacle of politics and religion in the contemporary Turkish cinema
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Theaters of errorproblems of performance in German and French enlightenment theater /
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Artists' voices in cultural policycareers, myths and the creative profession after German unification /
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Cultural identity in British musical theatre, 1890-1939knowing one's place /
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Women activists and civil rights leaders in auto/biographical literature and films
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Reporting the road to Brexitinternational media and the EU Referendum 2016 /
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Communicating national image through development and diplomacythe politics of foreign aid /
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Digital echoesspaces for intangible and performance-based cultural heritage /
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Tatler's ironyconspicuous consumption, inconspicuous power and social change /
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Cecil B. DeMille, classical Hollywood, and modern American mass culture1910-1960 /
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Visible and invisible whitenessAmerican white supremacy through the cinematic lens /
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Newsmaking cultures in Africanormative trends in the dynamics of socio-political & economic struggles /
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Posthuman spiritualities in contemporary performancepolitics, ecologies and perceptions /
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Aesthetics and politicsa Nordic perspective on how cultural policy negotiates the agency of music and arts /
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An investigative cinemapolitics and modernization in Italian, French, and American film /
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Architecture, urban space and warthe destruction and reconstruction of Sarajevo /
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Racism and early blackface comic traditionsfrom the old world to the new /
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Theatre and Music in Manila and the Asia Pacific, 1869-1946Sounding Modernities /
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From analogue to digital radiocompetition and cooperation in the UK radio industry /
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The road to wickedthe marketing and consumption of Oz from L. Frank Baum to Broadway /
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Economies of collaboration in performancemore than the sum of the parts /
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The talent industrytelevision, cultural intermediaries and new digital pathways /
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The theatre of imagininga cultural history of imagination in the mind and on the stage /
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National identity in 21st-century Cuban cinemascreening the repeating island /
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Living and dying in a virtual worlddigital kinships, nostalgia, and mourning in second life /
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The structure and governance of public service broadcastinga comparative perspective /
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The early modern theatre of cruelty and its doublesArtaud and influence /
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Corporeal legacies in the US southmemory and embodiment in contemporary culture /
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Critical approaches to Welcome to Night Valepodcasting between weather and the void /
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