Literature, English.
概要
作品: | 98 作品在 0 項出版品 0 種語言 |
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書目資訊
The controverted self :A legacy of Renaissance literary rhetoric in modern legal theory (Francis Bacon).
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Contracts, bonds, and sureties :The use of legal instruments in Shakespeare's problem plays (William Shakespeare).
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Claims for higher narrative in the "Tale of Genji" and "The Faerie Queene" (Murasaki Shikibu, Japan, Edmund Spenser).
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Strong language :Oaths, obscenities, and performative literature in early modern England.
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The Arab takes on Shakespeare :Adaptation, allusion, and the struggle for artistic identity in Egypt (William Shakespeare).
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Herbert of Bosham's "Liber melorum" :Literature and sacred sciences in the twelfth century.
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Wedlock and fetters :Marriage, antislavery and abolition in eighteenth century British literature, 1759--1808.
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Against all odds :The sway of chance in eighteenth-century Britain (Daniel Defoe, Henry Fielding).
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Modernism and coherence :Four chapters of a negative aesthetics (Ireland, James Joyce, Wallace Stevens, Robert Frost).
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The aesthetics of doubt :Skepticism and tragedy from Marlowe to Dryden (Christopher Marlowe, John Dryden).
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Taking care :Injury and responsibility in literature and law (Joseph Conrad, Virginia Woolf, Rebecca West).
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Esotericism and Orientalism :Nineteenth-century narrative initiations (Rudyard Kipling, Richard Burton)
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The Mary Stuart myth in 20th century Russian literature (Valerii Briusov, Marina Cvetaeva, Boris Pasternak, Joseph Brodsky)
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The modernist origins of a crisis in humanism (Walter Pater, Marguerite Yourcenar, France, Andre Gide, England)
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Justice for the dead :Schemes of transformation through phrase hermeneutics (William Shakespeare)
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Within the bosom of the bard :Shakespeare and social death (William Shakespeare, Mary Shelley, Jewelle Gomez)
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The literature of conversion in early modern England (William Alabaster, John Donne, Richard Crashaw, John Dryden)
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Performance matters :Culture and theatrical signification in the early English public playhouses (William Shakespeare)
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More than an order of words :The pursuit of a moral style in Victorian prose and writing of the First World War
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Putting Russia on the globe :The matter of Muscovy in early modern English travel writing and literature
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"The hero of submission" :Masochism and the aesthetic problem in horror (Bob Flanagan, Tobias George Smollett, Horace Walpole)
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The trials of orality in early modern England, 1550--1625 (Ben Johnson, William Shakespeare, Thomas Kyd)
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The dream and the book: Chaucer's dream-poetry, faculty psychology, and the poetics of recombination (Geoffrey Chaucer).
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Romantic collaboration: Familial authorship from Barbauld to Shelley (Anna Barbauld, Percy Bysshe Shelley, Mary Shelley).
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David's "fruytfull saynges": The Penitential Psalms in late-medieval and early-modern England.
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Missing histories: The absence of late medieval literature (Geoffrey Chaucer, Francesco Petrarca, Giovanni Boccaccio, Italy).
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Finite jest: Performance, authorship and the assimilations of the stage clown in early modern English theater, 1588--1673.
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Disavowing possession: Story, style, and the social in Jamesian narrative (Henry James).
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A critical edition of the Middle Irish saga "Aided Guill meic Carbada ocus Aided Gairb Glinni Rigi".
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Reverie, reading, and the Victorian novel (Charlotte Bronte, Charles Dickens, George Eliot, England).
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Anxious acts: Religion and autobiography in early modern England (John Donne, John Milton, Thomas Browne, John Bunyan).
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Beyond agency: Women writing romance as political intervention in the English Revolution.
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New conceptions of time and the making of a political-economic public in eighteenth-century Britain.
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Romantic emulation and aesthetic citizenship in Jean-Jacques Rousseau, Charlotte Smith, Mme de Stael and Frances Burney.
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The other Enlightenment: Excess and the epistolary novel in the long eighteenth century.
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The English novel's cradle: The theatre and the women novelists of the long eighteenth century.
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Empirical possibilities: Close attention to material things in early eighteenth-century England.
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"Incestuous sheets" and "adulterate beasts": Incest and miscegenation in early modern drama.
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